Robert Lenkiewicz (1941-2002) a fine self portrait painting titled on reverse 'Self Portrait With Blue Scarf' also inscribed 'Non-Project Piece' and signed twice, oil on canvas, 72cm x 72cm, in a heavy 'Lenkiewicz' black frame and glazed. Provenance, The Somerville Gallery, 2006.

Jack Pender (1918-1998) oil on canvas 'Three Punts' titled, signed and inscribed on the reverse, 'Three Punts, 1978, Jack Pender, Fisherman's Square, Mousehole Cornwall' also with a Belgrave Gallery London, label in a thin white painted frame, overall size 130cm x 104cm. Exhibited at Jack Pender Exhibition, Belgrave Gallery 1990 and illustrated on the front cover and page 10 of the catalogue.

Robert Lenkiewicz (1941-2002) a large major work, oil on canvas 'Fred the Dog', Project 1 Vagrancy Revisited, in a heavy black frame, signed and inscribed to the reverse 'Project' Provenance; sold at Plymouth Auction Rooms, 18th September 2013, lot 100, previously purchased directly from the artist in 2002, it featured in a TV programme in which comedian Billy Connolly sat for Lenkiewicz, and could be seen propped up against a wall in the artist's studio as he worked, size approx 89cm x 214cm, overall size including frame 129cm x 251cm.

Robert Lenkiewicz (1941-2002) 'The Painter with Patti, Aristotle and Phyllis Theme' oil on canvas, 66" x 54", housed in a gilt framed. This painting was part of the Relationship Series painted around 1990, Project 18 Painter with Women, Observations on the Theme of the 'Double; it was exhibited in 1994 at the Birmingham ICC Exhibition and is featured in the exhibition catalogue on page 3. The exhibiting was organised by the Halcyon Gallery.

Robert Lenkiewicz (1941-2002) 'Painter with Lydia Evans, Double Theme' oil on canvas, signed twice to reverse, 129cm x 115cm, unframed.

Harold Harvey (1874-1941) Newlyn School, oil on canvas, ‘A Ring, a Ring o’ Roses’, signed, 36cm x 46cm, titled on canvas on reverse, framed and glazed.

Beryl Cook (1926-2008) a rare double sided painting, 'French Tango' and 'The Expedition' oil on board, framed, 113.50cm x 88.50cm. Signed on one side. "It’s not just the faces, but the whole of Beryl’s paintings that have a ‘look’. She fills them with bold, clear designs that immediately cheer you up. Her description of the tango bar is very telling. She was uncomfortable when the bar was empty, except for a frenzied couple dancing, but when many more customers arrived she was happier, stopped laughing nervously, and ‘everything settled down’... When you look closely at her compositions you can see that everything in them, every movement, mass, look and shape is balanced or echoed, one by another, until the whole picture seems to dance together." Julian Spalding in Beryl Cook Happy Days, 1995.